Salolìt is a writer working at the intersection of literature, music, and societal theory. His practice moves across novels, essays, and lo-fi recordings, treating each release as part of a larger, internally coherent body of work. Rather than separating mediums, he approaches them as parallel forms of inscription: the novel as tract, the tape as document, the essay as structural commentary. His writing draws on modernist and post-punk lineages while remaining formally restrained—concerned less with confession than with architecture, less with performance than with permanence.

At the center of the project is a commitment to creating a self-contained canon. Completed works exist in physical form—cassette, manuscript, print—prioritizing stability over algorithmic visibility. Themes of technological upheaval, spiritual displacement, and cultural succession recur throughout, not as slogans but as frameworks. The result is a body of work that treats the present era with seriousness: attentive to its metaphysics, skeptical of its spectacle, and invested in leaving behind texts that can stand independent of the moment that produced them.